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All We Imagine As Light recently hit Indian theatres on Friday, November 22. The highly acclaimed film stars Divya Prabha, Kani Kusruti, Chhaya Kadam and Hridhu Haroon in prominent roles. The movie received a prestigious Grand Prix at the 77th Cannes Film Festival. The film unfolds in Mumbai, focusing on nurse Prabha’s (Kani Kusruti) disrupted routine after an unexpected gift arrives from her estranged husband. Meanwhile, her younger roommate, Anu (Divya Prabha), struggles to discover a place in the city where she can share a private moment with her boyfriend.
Recently, Divya’s intimate scenes were leaked, prompting a strong reaction from the actress. Keep reading the article till the end to know more.
All We Imagine As Light’s actor Divya Prabha, describes those who leaked her n*de scenes from the film as ‘pathetic’
“It is really pathetic. However, I had anticipated such a response from a section of the people in Kerala even when I signed up for the role. We are a community that celebrates filmmakers like Yorgos Lanthimos and even the actress who won the Oscar for her work in the film. But we are intolerant of Malayali women doing such roles. I am glad to see there were people, especially men, who opposed the act. This shows there is a lot of hope in the present generation,” Divya said in a recent interaction with Onmanorama.
“Those who shared the leaked videos comprise 10 percent of the population, and I don’t understand their mindset. Malayalis were also part of the Central Board, which gave us the approval. As an actor, I do scripts I am convinced about, and I was totally convinced about my character in All We Imagine As Light. Some people criticised me, saying that I did the n*de scene for fame. I have won several awards and have also been part of critically acclaimed movies. I don’t think I need to strip n*ked to earn fame,” she added.
In an earlier interaction with The Hindu, Prabha had shared, “I have not studied cinema. With every character I essay — be it films or theatre — there is the constant process of learning and unlearning. After Ariyippu, I learnt how to approach a character and prepare for it. I am now more aware about what needs to be done to better a character, especially with Payal’s film. The more I learn, I realise how hard it is. I evolve with each character and each film.”
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